Glen Hansard - This Wild Willing (Album Review)

April 10, 2019 by Rich Barnard in 80s, Album Reviews, Americana, Folk, Singer-Songwriter

After three lauded solo records and countless packed-out shows across the globe, Glen Hansard has amassed laurels aplenty upon which to rest if he were that way inclined. Thankfully, it would appear he is not, as This Wild Willing represents a decisive step forward in the post-Once career of the onetime Frames frontman as he eases off on the Van Morrisonisms he’s become synonymous with and begins re-engaging with the boundary-pushing of his earlier work.

Glen Hansard - Between Two Shores (Album Review)

January 17, 2018 by Rich Barnard in Album Reviews, Folk, Singer-Songwriter

Between Two Shores is Hansard’s third solo album and, rather than finding him adrift as its title might suggest, it sees him grounded as a solo artist for the first time. Plenty of the songs from his first two outings would’ve passed unnoticed as Frames songs but this album really seems to put an end to all of that. I will always associate Glen Hansard with the raw crunch and visceral angst of ‘Pavement Tune’ and the Zeppelin crashings of ‘The Stars Are Underground’ (that said, I do always seem to be about twenty years behind the times) but that urgent, exploratory rock of youth has totally given way to an effortless songwriting maturity and an altogether more seasoned approach to making records.

Glen Hansard - Didn't He Ramble (Album Review)

October 20, 2015 by Rich Barnard in Americana, Singer-Songwriter, Folk

The Frames’ redheaded frontman has come a long way since the world first glimpsed him as a scrawny, fresh-faced guitarist named Outspan in The Commitments film back in 1991. In the same year, Hansard’s real-life group released their Island Records debut and The Frames still remain one of Ireland’s best-loved bands, nearly twenty five years on. He returned to the big screen in 2006, via the nicely understated film Once, which was pretty much built around his music and that of Czech singer songwriter Markéta Irglová. The runaway success of Once, now immortalised (for better or worse) by its conversion to a West End musical, marked the start of Hansard’s transition from cult star to national treasure.